Tuesday, September 1, 2015

Day 1 - Sunflower

Sunflower, Acrylic on Crescent Board, 20"x10", NFS

Day 1 of the 30 paintings in 30 Days Challenge!

I was going to start with that simplest of all forms, the apple. But when I got ready to paint I decided to go for a sunflower instead.  Since I have been playing hookey pretty much all summer, this painting is a little rough. I'm sure that as I get back into the habit of painting daily, my skills will return. Meanwhile, there are certainly a lot of elements in this painting that I like - particularly in the greens (leaf) and the stem area.

As part of this challenge (I have named my upcoming series "Getting to the Essence of a Thing"), I am posting the description I used to define the painting. Please see my previous post (Aug. 26) for a description of my theme for this Challenge.



Sunflowers

There are many forms and colors of sunflowers, but to me a sunflower should be yellow – the color of the sun - (although I do have red ones and orange ones and bi-color ones in my garden, too) and it should have a big brown center.  It is tall and has great big, dusty green leaves. When I see those characteristics the first thing that comes to mind is sunflower.


Note:  This painting is not for sale. I have many others to choose from. If interested, please click here to visit my website.

Wednesday, August 26, 2015

Getting to the Essence of a Thing

Portrait of a Tree - Autumn, Acrylic on Watercolor Paper, 6"x6", SOLD
September 2015 30 Paintings in 30 Days Challenge!

Good news! Another 30 Paintings in 30 Days Challenge begins on September 1 - that's next week. I will be participating and hope you will follow me on my adventure. I will be continuing my exploration of the intersection between abstraction and the representational.  I will also be exploring the idea of painting or capturing the essence or heart of a subject. To get at that, I plan to use a methodology that has worked for me before (although on a one-off basis) and try to expand it to work for a broader range of subjects and also to practice it sufficiently to be able to call on it when creating future paintings.I call it "Getting to the Essence of a Thing".

Getting to the Essence of a Thing:
I have always been a verbal person - describing something in words allows me to see it in my mind's eye. This methodology uses that predilection to help me focus on the essential and discard the superfluous. It works as follows:
  • For each painting, I choose a subject. 
  • Then I write down what I think defines the essence of that subject - what is needed to define or describe that subject, stripped down to the basics. 
  • That is what I paint, using a combination of abstract and representational elements. The idea is that what doesn't actively contribute to a painting, detracts from it.  
For the month of September, I will use this approach for each of my paintings, posting both the description and the painting each day. I will also be adding them to the gallery at Leslie Saeta's Slices of Life blog as part of the September 2015 30 Paintings in 30 Days Challenge.


"Portrait of a Tree - Autumn": 
To give you an idea of what "Getting to the Essence" entails, let me describe the painting above.  It is called "Portrait of a Tree-Autumn."  Before I started painting, I wrote a description of what I thought would be needed to define a tree in autumn.  Thus:
  • A tree needs to have a trunk. We would not necessarily recognize that something is a tree unless it has a trunk to support it.
  • A tree needs to be planted in the ground; they are rooted in the earth.
  • A tree has branches - maybe one, maybe more - although a young tree could be without branches.
  • A tree in autumn (I live in New England) needs some colored leaves.  
And that is what I painted. I used acrylic paint on watercolor paper; I used fracturing and a palette knife to create the branches and textures.

Barn #5-Barn Door:
The following painting is another example of this approach although it is entirely abstract.
Barn #5 - Barn Door, Acrylic on Crescent Board, 10"x10", NFS
For this painting, the description is as follows (I used old, New England barns as my jumping off point):
  • An old barn has a siding of rough boards that can be weathered gray or have varying amounts of red paint on them.
  • An old barn is frequently missing it's window panes; the windows and doors are empty, black, openings through which you can occasionally see a hint of some old object or another.
  • An old barn's paint is frequently peeling or patchy.
  • Barns come in all shapes and sizes, so there is no one shape to make the barn. 
In the painting, I used a palette knife to create a close up of the flaking, peeling, patchy siding and avoided defining the building's shape by making the painting an all-over close-up of part of one side of the barn. I included abstracted window and door openings, hinting at things inside that cannot be adequately seen or described.

Buying the Challenge Paintings:
Some will be for sale, some won't be. For those that are for sale, the prices will basically be a 30 Day Challenge Special - once the Challenge is over, I touch them up, put them in frames, and prepare them for life in a gallery, with prices to match.


 

Monday, June 1, 2015

Cattails

Cattails, Acrylic on Crescent Board, 20"x10", $200
I've been away for a while taking care of family things. As I get back into a painting rhythm, I thought I would try to focus on images of the lake. I love the never-ending variability of water and reflections.  In this painting, I wanted to capture the beauty of cattails at sunset using the patchwork paint application process I have been working on for a while.

To purchase this painting, please click here. You will be transported to my website which is set up to handle on-line purchases.

Sunday, May 3, 2015

Pot of Sunshine

Pot of Sunshine, Acrylic on Crescent Board, 10"x10", $150
I'm just getting back in the studio after my trip south to visit family.  I decided to start with a somewhat abstracted pot of flowers.  After a long, cold winter, I'm totally loving the daffodils and other early spring flowers.

In this painting, I used a combination of palette knife and squeegee (fracturing) to get the texture and broken color.  I wanted to get a really loose look.  I was also trying for more abstraction than I got in the end, although I did manage to lose some edges on the vase.

To purchase this painting, please click here. You will find yourself on my web site where you can make your purchase.  You may also find other paintings that you would like there.

Saturday, May 2, 2015

Ten Years at Frog Hollow!

Up on the Hill, Acrylic on Crescent Board, 10"x10", $375 (framed)

I'm proud to announce that my work has been on display at the Frog Hollow Vermont State Craft Center for ten years.  I was fortunate to have my work accepted in 2005 and have been bringing my work there ever since.  It has been a wonderful period of learning and growth. I've had the good fortune to be able to improve my painting skills as I learned some of the business of art.  I hope that I will be able to continue to learn and grow for many more years.

If you are ever in the Burlington (Vermont) area, please stop in to see the wonderful works created by Vermont artists and artisans. They are located on Church Street in downtown Burlington, VT.

To purchase this painting, please contact Frog Hollow at (802) 863-6458 or e-mail at sales@froghollow.org.

Tuesday, April 7, 2015

Inside Out

Three Oranges, Acrylic on Watercolor Paper, 10"x9", $400
Good News!  Three of my paintings were accepted into the Inside Out Show at the Bryan Gallery in Jeffersonville, VT.  The show opens on May 1 and runs through the end of June.The theme of the show is still life and interiors.  The other two pieces included in the show are shown below.

To purchase any of these paintings, please contact the gallery at info@BryanGallery.org.

Three Pears, Acrylic on Watercolor Paper, 10"x9", $400



Hot Garlic, Acrylic on Watercolor Paper, 9"x10", $400

Additional paintings are available on my web site: www.annavreman.com.


Wednesday, March 11, 2015

Barn #28

Barn #28, Acrylic on Crescent Board, 30"x30", NFS
I'm still working on night scenes although this may be the last for a little while.  I've put a considerable amount of time into this one trying to get the mood and the level of detail right.  This is the largest painting I have done in quite some time - 30"x30", so I had the additional problems of scale to deal with. I'm also not quite sure it is finished - I will have to think about it for a few days.


This painting is not for sale for now but I may have other paintings you would like.  Click here to see the entire collection of barns (and other neat stuff) on my web site.

Artist's Note:  Cameras hate the true darks in a painting.  The darks in the lower right corner are made up of a mix of browns, blues, oranges and reds that are actually quite lively in person. Also, the deepest blues in the sky are a bit less purple than it appears here.